https://ijmras.com/index.php/ijmras <p><strong>ISSNe 2640 -7272</strong><br /><strong>Impact Factor:-6.0</strong><br /><strong>Cross-ref / DOI:- 10.33826/ijmras</strong><br /><strong>Elsvior/ Mendeley / DOI :- 10.17632</strong><br /><strong>Call For Paper Volume 07 Issue 05 May 2024</strong></p> <p><strong><img src="https://ijmras.com/public/site/images/ijmras/open-access-logo-png-transparent-d26c9b4ffbfff319bc5c9d0c74a1a3d7.png" alt="" width="250" height="100" /><br /></strong></p> Steven Sayasy en-US International Journal of Multidisciplinary Research and Studies 2640-7272 <p><span style="color: rgba(0, 0, 0, 0.87); font-family: 'Noto Serif', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; font-size: 13.02px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #faebd7; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;">Individual articles are published Open Access under the Creative Commons Licence: </span><a style="box-sizing: border-box; background-color: #faebd7; color: #4b7d92; font-family: 'Noto Serif', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; font-size: 13.02px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px;" href="https://creativecommons.org/licenses/by/4.0/">CC-BY 4.0</a><span style="color: rgba(0, 0, 0, 0.87); font-family: 'Noto Serif', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif; font-size: 13.02px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #faebd7; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;">.</span></p> https://ijmras.com/index.php/ijmras/article/view/808 <p>The rapid digitalization of communication has transformed how societies perceive, discuss, and represent death. This qualitative study explores how users interpret online coverage of death-related issues, drawing from perspectives in sociology, anthropology, and media studies. Using thematic analysis of social media discourse, digital journalism, and user-generated content, this research examines emotional responses, ethical tensions, and cultural narratives surrounding online death representations. Findings reveal a complex interplay between empathy, spectacle, and desensitization—highlighting the ways digital media both humanize and commodify death. This study contributes to understanding the evolving socio-cultural relationship between mortality and digital communication in the 21st century.</p> Dr. Emily J. Brooks Dr. Maria Harrington Copyright (c) 2025 https://creativecommons.org/licenses/by/4.0 2025-10-06 2025-10-06 8 10 1 9